In Circuits of the Sacred Carlos Ulises Decena examines transnational black Latinx Caribbean immigrant queer life and spirit. Decena models what he calls a faggotologythe erotic in the divine as found in the disreputable and the excessiveas foundational to queer black critical and expressive praxis of the future. Drawing on theoretical analysis memoir creative writing and ethnography of SanteraLucum in Santo Domingo Havana and New Jersey Decena moves between languages locations pronouns and genres to map the itineraries of blackness as a circuit a multipronged and multisensorial field. A feminist pilgrimage and extended conversation with the dead Decenas study is a provocative work that transforms the academic monograph into a gathering of stories theoretical innovation and expressive praxis to channel voices ancestors deities theorists artists and spirits from the vantage point of radical feminism and queerofcolor thinking.